Alterego Regular

Bold Monday

Alterego

Bilo Regular

Bilo

Bilo Thai Regular

ลักษณะของตัวพิมพ์แต่ละตัวสามารถแสดงออกได้ถึงระดับเสียง

Bilo Thai

Brando Regular

Brando

Brando Arabic Regular

الأشــــــــْــــكال الهندسيــــــّــــــة

Brando Arabic

Brando Sans Regular

Brando Sans

Buendia Regular

Buendia

Dico Code One Regular

Dico Code One

Dico Code Two Regular

Dico Code Two

Dico Mono Regular

Dico Mono

Logical Variable Roman

Logical

Nitti Normal

Nitti

Nitti Grotesk Regular

Nitti Grotesk

Nitti Typewriter Regular

Nitti Typewriter

Pilot Regular

Pilot

Oskar One Regular

Oskar

Oskar Inline One Regular

Oskar Inline

Nitti Mostro Chrome

Nitti Mostro

Nitti Mostro Stencil Rough

Nitti Mostro Stencil

Nitti Mostro Disco Floor

Nitti Mostro Disco

Nitti Mostro Comic Shadow

Nitti Mostro Comic

Macula Background

Macula

Mala Regular

Mala

Quinn Text Regular

Quinn Text

Quinn Display Regular

Quinn Display

Rekall One Regular

Rekall One

Rekall Two Factory

Rekall Two

Dico Typewriter Regular

Dico Typewriter

Dico Slab Regular

Dico Slab

Dico Sans Regular

Dico Sans

Dico Mono Slab Regular

Dico Mono Slab

Dico Sans Soft Regular

Dico Sans Soft

Stanley Normal

Stanley

Trio Grotesk Regular

Trio Grotesk

Panno Text Regular

Panno Text

Panno Sign Positive

Panno Sign

Puffin Medium

Gradually dogma art billboard monogram trousers proximity

Puffin

Puffin Display Medium

About sixty codfish eggs will make a quarter pound of very fizzy jelly.

Puffin Display

Puffin Display Soft Medium

Puffin Display Soft

Puffin Arcade Regular

Puffin Arcade

Kristal Regular

Kristal

Goldich Regular

Goldich

Rigby Regular

Rigby

Jurriaan 3D Dark

Jurriaan 3D

Merwede Regular

Merwede

Rigby Mono Regular

Rigby Mono

cake-type-banner (1)

Pieter Van Rosmalen’s CakeType joins TN

WomensDay Banner

Celebrating International Women’s Day

Header 1 (2)

Valentine’s Favorites

Foundry-logos_Bold Monday

Bold Monday is an independent Dutch type foundry established in 2008 by Paul van der Laan and Pieter van Rosmalen. Their catalog encompasses custom typeface design for high-profile, international clients, as well as state-of-the-art retail fonts for discerning designers.

Stories

Paul van der Laan works as a designer of type and typography from a studio near the royal palace in The Hague. Since 2003, he has been a professor in type design at the TypeMedia masters program at the Royal Academy of Art in The Hague. He has given workshops and lectures at numerous schools across Europe and at various international conferences. Paul has designed numerous typefaces and worked on custom type projects for clients worldwide, such as NBCUniversal, Audi AG, Autodesk Inc, Banco Deuno, and VPRO.

Family: Oskar

Family: Oskar Inline

Paul van der Laan

Pieter van Rosmalen studied advertising and graphic design at SintLucas in Boxtel and graduated from the postgraduate TypeMedia program at the Royal Academy of Art in The Hague in 2002. He runs <a href="/type-foundries/bold-monday/">Bold Monday</a>’s Eindhoven office and the boutique foundry <a href="/type-foundries/caketype/">CakeType</a>, typically working on ten different typefaces at the same time. He has designed retail as well as custom typefaces for clients worldwide, such as NBCUniversal, Audi AG, General Electric, IBM, and football club PSV. One of Pieter’s designs is used for street signs in South Korea.

GarageFonts

Adore Mono

Family: Alterego

Archive Matrix

Family: Bilo

CakeType

Cake Mono

Cake Sans

Cake Stencil

Cake Type

Pieter_portrait_yellow

Pieter van Rosmalen

Titus Schulz grew up in an environment where typography was entirely commonplace. His father was a graphic designer, and young Titus used the leftover letters from his father’s Letraset sheets to create typographic compositions on paper. His early interest in letterforms is shown by an alternative symbol he came up with at age of 13 for the ‘greater-equal-sign’ (≥), where he made the lower horizontal line run parallel to the bottom diagonal. Schulz studied at the Arnhem Art Academy, now ArtEZ, where he learned to write the humanist italic with a calligraphy pen and where he took his first steps in type design and book typography under the guidance of teachers such as Karel Martens, Stephan Saaltink, and Peter Muller. After a long career as a graphic designer, Schulz decided, after 25 years, to use his experience as a book designer to create his first serif typeface. The result is Merwede, a perfectly legible text face, a true workhorse in both roman and italic and available in four weights.

Titus Schulz

Bilo Thai, designed by Promphan ‘Boom’ Suksumek, is the Thai script companion to Pieter van Rosmalen’s Bilo family. The modern loopless design shares many of the unique details and flavour you’ve come to love in Bilo, for instance the slightly pointy-eared terminals and wide, round shapes – remnants of van Rosmalen’s initial experiment to draw a low-contrast sans-serif version of Bodoni. The moderate x-height of Latin Bilo made it easy to match the proportions of the Thai and its need for room for vowels and tone marks above and below the middle (consonant) height. Bilo Thai aims to capture the same playful yet versatile tone as Bilo’s Latin counterpart. The family is available in nine weights for uses in all kinds of sizes and display applications. Alternative forms for Dodek/Totao and Ngongu let you choose between a more rounded or angular appearance. And of course, Bilo the dog came along, too! Each style includes 18 different dog-related icons designed by Dirk Uhlenbrock.

Bold Monday

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