Hailing from Southern California, David started drawing type during his time at Hampshire College in Western Massachusetts. There he began a handful of designs, including a text and display series for the student newspaper and a funky Wild West font called Manicotti.
From reversed stress slab serifs of the nineteenth century to Art Deco sans serifs of the twentieth, he ransacks forgotten and pigeonholed lettering styles and searches for new approaches to the same old alphabet. He delights in finding ways to turn a “rule” of letter drawing on its head or to write a program that helps accomplish a difficult task.

When the Ubuntu operating system, favored by developers around the world, wanted to upgrade their UI and brand typeface—also named Ubuntu—into a variable font, they asked Type Network to ensure its technical and functional quality. Partners DJR and Dual Type were up to the task.

A typeface can be a crucial, unifying element in a visual identity, and if a small piece is missing, it can easily be added to the puzzle. When the Belgian Dutch-language public broadcaster VRT (short for Vlaamse Radio en Televisie, or Flemish Radio and Television) initiated its company-wide rebranding effort in early 2017, the typography became a critical part of its visual identity.