Bradley DJR Regular

Big July earthquakes confound zany experimental vow.

Bradley DJR

Condor Condensed Medium

Condor

Crayonette DJR Regular

Crayonette DJR

Fit Regular

Fit Devanagari Regular

शब्दों और वाक्यों की तरह ही अक्षराकृतियों के भी स्वर, ध्वनि और व्यक्तित्व होते हैं ।

Fit Devanagari

Forma DJR Banner Regular

Forma DJR Banner

Forma DJR Deck Regular

Forma DJR Deck

Forma DJR Display Regular

Forma DJR Display

Forma DJR Micro Regular

Forma DJR Micro

Forma DJR Text Regular

Forma DJR Text

Gimlet Display Compressed Bold

Being bounced around quickly annoyed the disheveled taxi drivers.

Gimlet Display

Gimlet Micro Regular

Being bounced around quickly annoyed the disheveled taxi drivers. The jukebox music puzzled a gentle visitor from a quaint valley town. Just work for improved basic techniques to maximize your typing skills. Grumpy wizards make toxic brew for the evil queen and jack. Lazy movers quit hard packing of jewelry boxes.

Gimlet Micro

Gimlet Text Regular

Being bounced around quickly annoyed the disheveled taxi drivers. Big July earthquakes confound zany experimental vow.

Gimlet Text

Glyptic DJR Regular

Glyptic DJR

Input Mono Narrow Light

Input Mono

Input Sans Narrow Light

Input Sans

Input Serif Narrow Light

Input Serif

Job Clarendon Regular

Job Clarendon

Manicotti Regular

Manicotti

Map Roman Normal

Map Roman

Megabase Regular

Megabase

Megavolt Regular

Megavolt

Megazoid Regular

Megazoid

Nickel Gothic Regular

Nickel Gothic

Roslindale Variable

Roslindale

Roslindale Deck Narrow Regular

Roslindale Deck

Roslindale Display Regular

Roslindale Display

Roslindale Text Regular

Roslindale Text

Trilby Regular

Trilby

Turnip Regular

Turnip

Turnip RE Regular

Turnip RE

Verdana Pro Regular

Harry, jogging quickly axed zen monks with beef vapor. Harry, jogging quickly axed zen monks with beef vapor.

Carter & Cone

Verdana Pro

AKA “DJR,” he is the 2018 recipient of the <a href="https://atypi.org/about-atypi/what-we-do/prix-charles-peignot/">Prix Charles Peignot</a> award, which is awarded to designers under the age of 35 who have made an outstanding contribution to type design. He has always embraced emerging font technology: he was one of the first designers to release retail variable fonts, and regularly publishes variable and color font experiments via his <a href="https://djr.com/font-of-the-month-club">Font of the Month Club</a>. He has consulted on large open source projects for Google, including the conversion of many families to variable format.

Family: Condor

Family: Fit

Family: Gimlet Display

Family: Gimlet Micro

Family: Gimlet Text

Glyptic DJR revives Herman Ihlenburg’s Glyptic, a decorative Victorian serif designed in 1878 and issued by MacKellar, Smiths &amp; Jordan. My interpretation leans into the frenzied energy of the design, emphasizing the angularity of the wedges and vertical serifs, and then contrasting them against delicate spirals and curlicues. The spacing is tight—optimized for contemporary use. This revival also adds a Uncial-inspired lowercase, lining figures, and borders, none of which were present in the original design.

Family: Input Mono

Family: Input Sans

Family: Input Serif

Family: Job Clarendon

Family: Manicotti

Family: Map Roman

Nickel Gothic is a stocky grotesque based on lettering found on the same 1918 Chinese banknote its serifed counterpart Nickel. It retains the squarish forms and closed apertures of the serifed design, but its significantly bolder weight and wider proportions endow it with an intense energy of its own. Despite the fact that it is based on lettering from over a century ago, it has overtones of the midcentury sans serifs like Microgramma/Eurostile as well as squared gothics form the ’70s like Neographik and Serpentine. Additional drawing by Bea Korsh.

Roslindale is a text and display serif that takes its inspiration from De Vinne, a typeface named for the famed nineteenth century printer and attributed to Gustav Schroeder and Nicholas Werner of the Central Type Foundry. De Vinne was an oldstyle that couldn’t shake its Victorian sensibilities, designed in a time that was so immersed in the upright Modern style that folks seemed to forget what diagonal stress actually looked like. Roslindale smooths out the clunkiness of the original and dials up the contrast, flirting with the slickness of 1970s interpretations such as ITC Bernase. Sure it can be a bit cheesy at times, but aims for a creamy brie instead of a stinky bleu.

Roslindale is a text and display serif that takes its inspiration from De Vinne, a typeface named for the famed nineteenth century printer and attributed to Gustav Schroeder and Nicholas Werner of the Central Type Foundry. De Vinne was an oldstyle that couldn’t shake its Victorian sensibilities, designed in a time that was so immersed in the upright Modern style that folks seemed to forget what diagonal stress actually looked like. Roslindale smooths out the clunkiness of the original and dials up the contrast, flirting with the slickness of 1970s interpretations such as ITC Bernase. Sure it can be a bit cheesy at times, but aims for a creamy brie instead of a stinky bleu.

Roslindale is a text and display serif that takes its inspiration from De Vinne, a typeface named for the famed nineteenth century printer and attributed to Gustav Schroeder and Nicholas Werner of the Central Type Foundry. De Vinne was an oldstyle that couldn’t shake its Victorian sensibilities, designed in a time that was so immersed in the upright Modern style that folks seemed to forget what diagonal stress actually looked like. Roslindale smooths out the clunkiness of the original and dials up the contrast, flirting with the slickness of 1970s interpretations such as ITC Bernase. Sure it can be a bit cheesy at times, but aims for a creamy brie instead of a stinky bleu.

Roslindale is a text and display serif that takes its inspiration from De Vinne, a typeface named for the famed nineteenth century printer and attributed to Gustav Schroeder and Nicholas Werner of the Central Type Foundry. De Vinne was an oldstyle that couldn’t shake its Victorian sensibilities, designed in a time that was so immersed in the upright Modern style that folks seemed to forget what diagonal stress actually looked like. Roslindale smooths out the clunkiness of the original and dials up the contrast, flirting with the slickness of 1970s interpretations such as ITC Bernase. Sure it can be a bit cheesy at times, but aims for a creamy brie instead of a stinky bleu.

David Jonathan Ross