Bitcount Grid Single Medium Circle

The exodus of jazzy pigeons is craved by squeamish walkers. The exodus of jazzy pigeons is craved by squeamish walkers.

TYPETR

Bitcount

PowerLift Tight

PowerLift

Presti Variable Variable

Presti Variable

Presti Deck Regular

Presti Deck

Presti Display Regular

Presti Display

Presti Headline Regular

Presti Headline

Presti Small Regular

Presti Small

Presti Text Regular

Presti Text

Productus Medium

Productus

Proforma Book

Proforma

Upgrade Regular

Upgrade

Responder P Variable

Responder P

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The first phototypesetting machine

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Elevate your display game with TYPETR’s PowerLift

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TYPETR delivers Upgrade, a modern humanist sans built for the future

Foundry-logos_Typetr

After decades of publishing through <a href="/type-foundries/font-bureau/">Font Bureau</a>, Petr van Blokland cofounded Type Network, where he exclusively releases new typefaces under the TYPETR label. He plans to publish new families on a regular basis and will also write the occasional educational post about graphic design, typography in general, and how to use type in particular.

Stories

Edward Dżułaj is a type designer based in The Hague, Netherlands. He completed his Graphic Design (BA) and TypeMedia (MA) studies at the Royal Academy of Arts in The Hague before founding <a href="https://julytype.com/">July Type Foundry</a>, in 2024.His typefaces have been featured in both cultural and commercial contexts, including the identity for the Polish Pavilion at the 2024 Venice Biennale and the creation of an identity typeface for Seoul, South Korea. Since 2022, he has served as a faculty member at the Royal Academy of Arts The Hague (KABK), where he teaches graphic and type design.

Presti

Edward Dżułaj

Born in Gouda, the Netherlands, in 1956, Petr van Blokland graduated cum laude from the graphic arts program at the Royal Academy of Fine Arts (KABK) in The Hague in 1980.With his partner Claudia Mens, Van Blokland worked for over thirty-five years as a designer in the studio they cofounded. His output ranged from sketching and model-making to programming in various languages. He specialized in systematic design: corporate identities, form systems, online publications, and tools for type design.Van Blokland has taught graphic design, typography, and type design for many years at the Royal Academy of Fine Arts (KABK) in The Hague and at the Academy of Fine Arts, Arnhem. His first typeface was Proforma, a large series commissioned by Purup, a Danish manufacturer of form-preparation systems. Proforma has now been released for general use through Type Network. In 1988, Van Blokland’s work brought him ATypI’s coveted Charles Peignot Prize.As cofounder and partner of Type Network, Van Blokland is a dedicated contributor and developer of new type and tools for type design. He currently teaches in the Master’s program in Graphic Design at AKV|St.Joost in Breda and at Type and Media, the postgraduate type design program at KABK in The Hague. Read more about his thoughts on design and education in <a href="this interview">this interview</a> and in his Lubalin lecture, “<a href="http://typetr.typenetwork.com/news/article/words">Words</a>,” <a href="http://coopertype.org/event/words">delivered at Cooper Union</a> in 2015.

Family: Bitcount

Family: PowerLift

Family: Productus

Family: Proforma

Petr van Blokland

Presti is basically constructed as “expansion contrast,&quot; as written with a sharp-nib pencil. The classic appearance is emphasized by the many Open Type features (such as a choice of figures and small caps) and the extensive set of floating flourishes. These can be attached to most letters on eight different positions, two directions, and five sizes. In the Open Type stylistic set a range of predefined flourish settings can be selected, but the user can create any other combination using a simple set of codes. Presti comes in a wide range of weights, classic Roman, and romantic italic.

Presti is basically constructed as “expansion contrast,&quot; as written with a sharp-nib pencil. The classic appearance is emphasized by the many Open Type features (such as a choice of figures and small caps) and the extensive set of floating flourishes. These can be attached to most letters on eight different positions, two directions, and five sizes. In the Open Type stylistic set a range of predefined flourish settings can be selected, but the user can create any other combination using a simple set of codes. Presti comes in a wide range of weights, classic Roman, and romantic italic.

Presti is basically constructed as “expansion contrast,&quot; as written with a sharp-nib pencil. The classic appearance is emphasized by the many Open Type features (such as a choice of figures and small caps) and the extensive set of floating flourishes. These can be attached to most letters on eight different positions, two directions, and five sizes. In the Open Type stylistic set a range of predefined flourish settings can be selected, but the user can create any other combination using a simple set of codes. Presti comes in a wide range of weights, classic Roman, and romantic italic.

Presti is basically constructed as “expansion contrast,&quot; as written with a sharp-nib pencil. The classic appearance is emphasized by the many Open Type features (such as a choice of figures and small caps) and the extensive set of floating flourishes. These can be attached to most letters on eight different positions, two directions, and five sizes. In the Open Type stylistic set a range of predefined flourish settings can be selected, but the user can create any other combination using a simple set of codes. Presti comes in a wide range of weights, classic Roman, and romantic italic.

Presti is basically constructed as “expansion contrast,&quot; as written with a sharp-nib pencil. The classic appearance is emphasized by the many Open Type features (such as a choice of figures and small caps) and the extensive set of floating flourishes. These can be attached to most letters on eight different positions, two directions, and five sizes. In the Open Type stylistic set a range of predefined flourish settings can be selected, but the user can create any other combination using a simple set of codes. Presti comes in a wide range of weights, classic Roman, and romantic italic.

Presti is basically constructed as “expansion contrast,&quot; as written with a sharp-nib pencil. The classic appearance is emphasized by the many Open Type features (such as a choice of figures and small caps) and the extensive set of floating flourishes. These can be attached to most letters on eight different positions, two directions, and five sizes. In the Open Type stylistic set a range of predefined flourish settings can be selected, but the user can create any other combination using a simple set of codes. Presti comes in a wide range of weights, classic Roman, and romantic italic.

TYPETR

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