RST Brother Variable Cnd Thin

Reset Type Studio

RST Brother

RST Libertad Variable Thin

RST Libertad

RST Mazumba Variable Thin

RST Mazumba

RST Reactor Variable Regular

RST Reactor

RST Silvestre Variable Sharp Thin

RST Silvestre

RST Thermal Variable Thin Text

RST Thermal

RST Trasandina Variable Hairline

RST Trasandina

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Looking ahead to 2025

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The first phototypesetting machine

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Ringold Sans takes the stage: The perfect choice for Chappell Roan’s stage graphics

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Reset is an independent type studio from Montevideo, Uruguay.Our strength is teamwork and close collaboration. We work together to enhance our projects and build contemporary, original and useful typefaces developed with great attention to detail and joy.With more than 10 years of experience, our team aims to provide the best solution for our clients, making them part of our creative process. We work on expanding our type catalog while offering custom type services.

Stories

Holds a BA in Graphic Design from ORT University, where she is a teacher for Typography I &amp; II. She has contributed to several published and unpublished projects for Reset Type Studio and is the designer behind the typeface Silvestre. Additionally, she has worked as a freelancer, developing visual identities and branding strategies.

Avril Ponce De León

Type designer and teacher. For more than ten years was co-director of TipoType Foundry, where he worked with clients like Pentagram, Google, Adobe, Mother, Sonic, Milleis Bank, and released over 10 typefaces. He studied Type Design @ Cooper Union NYC and has a BA in Graphic Design. He is a type teacher at ORT University, has been a mentor at Alphabets and jury of several design awards. His typefaces have won many international awards and have been published by different magazines and books. Has given more than 15 international conferences, and over 20 workshops.

Fernando Díaz

Fernando Díaz

Graphic designer and illustrator born in Montevideo, Uruguay, 1990. He started type-design co-creating Brother 1816 awarded by typographica.org as “Best typefaces of 2016” and “Bestselling fonts of 2016” by MyFonts.

Ignacio Corbo

Type designer and teacher. He studied the Master Program in Typography at FADU-UBA, Argentina. He currently teaches typography and graphic design at FADU-UDELAR, the Public University of Uruguay. Over the years, he has spearheaded several projects focused on the historical preservation and promotion of Uruguayan culture and music. With a deep interest in highlighting Latin American heritage, he strives to make it visible through typography. He has designed custom fonts and visual identities for various clients, including collaborations with Pentagram. Additionally, he has served as a jury member for the 9th edition of the Tipos Latinos Biennale and has shared his expertise through workshops and international conferences.

Matías Di Iorio

RST Brother is the evolution of Brother 1816 &amp; Brother XS/XL, now as a variable font. This update enhances functionality with a wide range of characters, widths, and weights. Blending history, geometry, and calligraphy, it ensures legibility across sizes, making it ideal for branding, editorial, and signage. Its geometric design works well for large applications, adding distinctive character to headlines and posters, while its humanist nature maintains readability in smaller sizes.The condensed styles are optimized for space efficiency, providing clarity in restricted spaces. The expanded versions offer a bold presence for display uses, maintaining both style and function. Designed for adaptability, Brother complements both retro and contemporary aesthetics, seamlessly fitting into text or titles, whether in print or digital.

RST Reactor is a typeface that explores extremes and pushes them to their limit. Designed to adapt to any design, it adjusts to the environment without losing its essence. Reactor is a variable font with two axes: weight and width, both stretched to the limit to create a highly versatile family.The condensed styles evoke 19th-century woodtype, while the wider versions offer modernity. In between lies a classic grotesque: discreet, modern, and simple. Regarding weight, Reactor offers a clean, minimalist look in its lighter versions, while the heavier styles fill spaces with bold messages and high impact. In the middle, it stays neutral and unobtrusive.Though the extremes are meant for large sizes, the versatility of its shapes allows the intermediate styles to work well in longer texts, keeping content at the forefront. A variable font built to provide multiple levels of hierarchy for complex projects.

RST Silvestre is an innovative variable typeface with two main axes: vertical and horizontal weight. Its groundbreaking feature is the horizontal weight, which allows users to modify the typeface&#x27;s serif contrast. Silvestre’s distinct personality shines at its extreme weights, while the intermediate styles invite playful experimentation, offering flexibility for a wide range of uses, from bold headlines to clean text.Due to its experimental nature, traditional style names didn’t capture its essence. Instead, a naming system was created, with combinations like Sharp, Blunt, Solid, Strong, paired with Light, Regular, Bold, Black, and more.Silvestre draws from two contrasting influences: the industrial robustness of 19th-century wood type, providing timeless strength, and the funky essence of 1960s psychedelic posters. This blend gives Silvestre its playful, energetic character, perfect for dynamic typographic expressions.

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