Aidé Thin

Fer Cozzi

Aidé

Gabriella Regular

Gabriella

Inge Variable

Inge

June Expt Variable

June Expt

Rosalind Regular

Rosalind

Síncopa Billie

Síncopa

Tomasa Regular

Tomasa

Fer Cozzi is an independent type designer born in Buenos Aires, Argentina. She obtained her diploma at the University of Buenos Aires, where she teaches in the Master in typeface design.In her work she seeks to explore rhythms, shapes and strokes where randomness and a not-so-obvious rationality meet. Talkative and passionate about letters, some of her work has been selected for renowned typography exhibitions and has participated in various typography conferences and events around the world.When she’s not drawing letters, she’s probably dancing to the rhythm of 90s pop.

Open and round shapes combine with super-thin serifs, creating a singular spiked texture, where spheres and spines make up a delicate but strong system. The sharp-pointed union in the vertical stems result in a fractured appearance that is perfectly balanced with the extra-long serifs, rendering an elegant and sophisticated character. Aidé is ideal for use in headlines and large sizes, where it can dazzle with its unique style. Inspired by a beloved hedgehog, Aidé is as cute as she is powerful.

Gabriella is a wide, emotional and striking typeface. Its extreme shapes and super heavy weight make her hard to miss, yet full of character and gifted with a special charm. A strong and modern design that will make no message go unnoticed. In “The Little Mermaid”, Gabriella was Ariel’s deaf Latina friend who loved to dance. Gabriella rendered a great lesson of inclusiveness for people with disabilities and minorities. With this typeface Gabriella continues to speak up, sing and dance.

Rosalind a is a modular typeface built from a basic set of shapes and designed through a playful and experimental process. The letters were deconstructed into modules and recombined to produce multiple possibilities for each character. The curves, line values, proportions and spacing are the result of the peculiarities and quirks of each character. This approach was based on H. F. Henderson’s book &quot;Understanding Molecular Typography&quot; and the work of other type designers on the systematization of the shapes in an alphabet. The name of the font intends to spotlight the work and figure of Rosalind Franklin, whose research was a fundamental part in the scientific developments around DNA, RNA and many important discoveries, but was not recognized until after her death.

Síncopa is named after syncopation, the unexpected, uneven, or offbeat rhythms in music. Syncopation transforms a regular metronomic beat into something that stirs us to feel, move, or dance. The Síncopa typeface family explores these forces of stability and dynamism, of the beat and the offbeat. Inspired by three queens of jazz – Billie, Nina, and Ella – Síncopa seeks to emulate their bold voices and distinctive personalities with highly contrasting strokes and eclectic letterforms.

Fernanda Cozzi