With Arboria, Josema Urós started from the concept of an archetypal architectural sans. He then introduced grotesque elements into the geometric forms, making the letters warmer. With their generous x-height and open apertures, Arboria’s wide characters look modern, yet bear a refined art deco air, and offer a friendly, outgoing alternative to the more reserved designs of the genre. With six weights in roman and italic, the family works well in editorial settings; Type-Ø-Tones 2013–2017