29LT Azahar Display LC Regular

Ветер несёт forgotten whispers across distant lands

29LT

29LT Azahar Display LC

29LT Azahar LC VF Variable Display Light

29LT Azahar LC VF

29LT Azahar Text LC Regular

29LT Azahar Text LC

29LT Zarid Sans LC Regular

29LT Zarid Sans LC

29LT Zarid Sans LG Regular

Οι ψίθυροι του ανέμου carry secrets through the night

29LT Zarid Sans LG

CoFo Peshka Variable

Contrast Foundry

CoFo Peshka

CoFo Sans Pixel Regular

CoFo Sans Pixel

Krista Radoeva is a freelance type designer from Sofia, Bulgaria. She graduated from the Type and Media Masters at The Royal Academy of Arts in The Hague and holds a Bachelor of Arts in Graphic Design from Central Saint Martins College of Art and Design in London. Her work is focused on multilingual type and lettering and research of the Cyrillic script. She has given talks at conferences such as ATypI, Serebro Nabora, and TypeCon, as well as workshops and lectures across Europe and the US. She helps organize the Typofest conference in Bulgaria. Her type design work has been recognized by awards such as the SOTA Catalyst, Granshan, Modern Cyrillic, D&amp;AD.

29LT Azahar, a pleasant and reader-friendly text style with a sharp and graceful display version, is Spanish named originally comes from the Arabic word الزَّهْرَة (az-zahra). Its mixed origin illustrates the fusion of different cultures and mirrors 29LT’s dedication to the creation of multi-script typefaces.The text family reinterprets medium-contrast transitional letterforms, contrasting with the high-contrast Didone style of its display counterpart. The sharp serifs of the latter add a modern twist, making it ideal for daring headlines. Azahar Text serifs are wider and thicker, harmonizing with their classical proportions and weight distribution.29LT Azahar offers a wide range of typographic hierarchy solutions, making it a versatile choice for designers.

29LT Zarid Sans is a sans-serif typeface with roots in calligraphy that are soundly revisited. Clean outlines are balanced out by a humanistic flair, leaving an overall impression of freshness and smoothness. The subtle equilibrium between the main body structure and the letters on one hand, and their corresponding ascenders and descenders, on the other hand, bridges the gap between aesthetics and comfortability and legibility in a highly contemporary composition.29LT Zarid Sans is laced with novel features and graphical qualities, giving it an elegant twist and a modernistic touch.Unlike other geometric and neo-grotesque sans-serif fonts, 29LT Zarid Sans evokes a feeling of warmth and personality. The characters was designed with a neutral approach while preserving some calligraphic aspects in the outlines. Letterforms are built with moderate open counters and relatively long ascenders and descenders in comparison to other sans-serif fonts.

CoFo Peshka is based on examples of industrial lettering from the early 20th сentury, and yet the design is not limited to being a pure revival. Seemingly square, blocky and brutal, CoFo Peshka nevertheless embodies familiarity and friendliness. We pushed the initial idea to a variety of extremes, added extensive language and character support and developed it as a variable typeface from the very start. Available in a range of weights, widths and slants (including backslant), Peshka grew into a type family that allows nearly endless possibilities. Additionally, it is also multiplexed, meaning the glyphs keep the same width across all weights (changing the weight won’t change your line of text). This, together with the wide variety of styles, makes the typeface particularly fun to play with in motion design and animation. Peshka has an extensive language support: it comes not only in Latin and Cyrillic, but also in Hebrew. The character set includes: two styles of fractions, superiors, inferiors, and an extensive set of currencies. At last we even designed two sets of accented characters so that you can make the line space extremely tight. You may ask, is there anything that Peshka does not have? Unfortunately, it is still a unicase typeface. So far we cannot imagine a matching lowercase for it. But who knows, maybe one day…

CoFo Sans Pixel is a pixel font built from small squares on a grid, with no curves or small details. This simplicity doesn’t mean it’s easy; we thoroughly tested pixel shapes and grid sizes, settling on a balanced design for clean, recognizable forms usable in various sizes. Based on CoFo Sans’s Regular style, CoFo Sans Pixel shares its stem thickness, vertical proportions, and character width. This strong foundation allowed us to consider the Cyrillic alphabet from the start, creating an extensive typographic system. CoFo Sans Pixel, the pixel sibling of CoFo Sans, is ideal for large display forms, logos, and illustrations. It includes Latin and Cyrillic characters, localized forms, punctuation marks, and math and currency symbols, matching CoFo Sans’s character set. Together, they make a great pair and a beautiful addition to your font collection.